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AVIGNON TO GENOA. Goblin, having shown les oubliettes. felt that her great coup was struck. She let the door fall with a crash, and stood upon it with her arms a-kimbo, sniffing prodigiously. AVhen we left the place, I accompanied her into her house, under the outer gateway of the fortress, to buy a little history of the building. Her cabaret, a dark low room, lighted by small windows, sunk in the thick wallâ?in the softened light, and with its forge-like chimney; its little counter by the door, with bottles, jars, and glasses on it; its household implements and scraps of dress against the wall; and a sober-looking woman (she must have a congenial life of it, with Goblin,) knitting at the door â? looked exactly like a picture by OSTADE. I walked round the building on the outside, in a sort of dream, and yet with the delightful sense of having awakened from it, of which the light, down in the vaults, had given me the assurance. The immense thickness and giddy height of the walls, the enormous strength of the massive towers, the great extent of the building, its gigantic proportions, frowning aspect, and barbarous irregularity, awaken awe and wonder. The recollection of its opposite old uses : an impregnable fortress, a luxurious palace, a horrible prison, a place of torture, the court of the Inquisition: at one and the same time, a house of feasting, fighting, religion, and blood: gives to every stone in its huge form a fearful interest, and imparts new meaning to its incongruities. I could think of little, however, then, or long afterwards, but the sun in the dungeons. The palace coming down to be the lounging-place of noisy soldiers, and being forced to echo their rough talk, and common oaths, and to have their garments fluttering from its dirty windows, was some reduct...
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